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16 August 2009
14 August 2009
We are sifting through the virtual mailbag again and would like to share a few newsworthy items with our readers. So without further ado here are the selections that we have filtered for your enjoyment. The urbanSHED International Design Competition has launched its inaugural event. Here is an excerpt from the press release provided to us:
The American Institute of Architects New York Chapter and the New York City Buildings Department are thrilled to announce the launch of urbanSHED, an international design competition that challenges the global design community to rethink the current sidewalk shed standard and create a prototype worthy of today’s New York City. Details on this exciting competition are in the press release pasted below, and the website is now live: urbanSHED.
The Urban Land Institute has awarded BIG Architects its 2009 Award of excellence. The project has also won the 2008 Forum Aid Award, 2008 World Architecture Festival Best Housing Award, and the 2009 MIPIM Award. The Mountain is the result of a collaboration with Høpfner A/S, Danish Oil Company JDS, Moe & Brødsgaard, and By & Havn. The ULI had this to say about the winning design proposal:
The Mountain is wonderful example of success that showcases creativity, innovation, and long-term thinking. Perhaps now more than ever, the ULI Awards for Excellence program reminds us of the key difference that responsible design and development can make in terms of longevity and overall community sustainability.
Image courtesy of Peter Aaron/Esto
This striking image arrived in our inbox promoting the work of photographer Peter Aaron. the quality of the images rival that of the renown architectural photographer Iwan Baan. Once again here is a description of the work in the author's own words:
When Peter Aaron was in Chicago recently, he made a series of exciting images of the new Modern Wing of the Art Institute of Chicago and of the city’s Millennium Park. Aaron, who was awarded an AIA Collaborative Achievement Award, created images that capture the luminous quality of natural light, Renzo Piano’s trademark. Peter’s images locate the Art Institute in relation to the landscape, the park, the city and the lake. The adjacent garden was designed by Kathryn Gustafson, Piet Oudolf and Robert Israel. In Millennium Park, the Cloud Gate is by Anish Kapoor; the Crown Fountain by Jaume Plensa; the bandshell, pavilion and bridge by Frank Gehry. The new museum building and the park are well known, have been often photographed and frequently published. You are surely familiar with the structures and the spaces…but they never looked as energetic and lively as in Peter Aaron’s images. I hope you’ll take a look: esto flickr slideshow to see a slide show of these recent photographs.
13 August 2009
Today we feature the architecture firm, Asymptote. The second in our long promised five part series stemming from our earlier Young Architects Poll post. The New York City based firm is headed by the two principals, Hani Rashid and Lise Anne Couture and currently lists a 65 person staff.
Since its inception in 1989, the firm has long been known as a predominately theoretical based practice. Using amorphous forms and high powered three-dimensional modeling computer software and captivating models, the firm has been featured in a number of magazine articles, architectural monographs and design school lectures. Asymptote were (are) regular participants in many world competitions and exhibitions to include the Venice Architecture Biennale. Its first realized commissions came through explorations in interior architecture for esteemed Italian design firm Alessi and the New York Stock Exchange.
Since 2000 more projects have come to realization for the firm especially in southeast Asia, eastern Europe and the United Arab Emirates. Recently completed and current projects include: 166 Perry Street, NYC; World Business Center Busan, Busan, South Korea; Strata Tower, Abu Dhabi, UAE; and the Yas Hotel, Abu Dhabi, UAE among others. What seems to separate Asymptote from others is its particular fusion of structure, materials and design aesthetic. All of which seem to be the source of intrigue for the firm's projects. Additionally, their introduction of refreshingly different forms differentiates how their architecture is perceived, in terms of space, rather than that of the orthogonal norm.